Thursday, April 16, 2009

Fried Flowers

For years I’ve been a bit obsessed with the idea of edible flowers, with an emphasis on dandelions. I’ve loved them since I started yanking them out of the ground and flinging them at people as a child. There’s something admirable in their tenacity, their refusal to budge when the whole world is against them.

They’re the noblest of weeds, for sure.

Personally, I don’t really consider them a weed. They’re too attractive, too full of nutrients, too useful. Only someone obsessed with homogenizing their suburban lawn should ever call them a weed, and even then it would be a label borne of ignorance.

They are delicious. I finally found out for myself today.

An egg. A cup of milk. A cup of flour. That’s really all you need, aside from a pot and a half inch of olive oil on medium heat. I suppose you could use some salt and pepper or some kind of tempura broth if you felt like being fancy with your cooking, but this time I kept it bare bones. I picked the nicest flower heads I could find and gently shook off any tiny ants that were nestled inside, brought them in and rinsed them and then trimmed off the stalks. I fried them gently in batches of six to ten heads at a time, turning them over when they became golden brown.

The taste is very gentle, not bitter at all. It reminds me of the vegetable tempura from Sushi Tomo, actually. I think next time I make this recipe I’ll have to break out the tempura batter and panko crumbs I have stashed away in my cupboard.

I really hope I can convince someone else to eat these with me, because I don’t think I should scarf them all down myself. Still, it’s tempting.







Wednesday, April 15, 2009

1000+ Words "The Long Finger"

I wanted to do a short writing exercise on the concept of missing limbs after reading Max Barry’s “Machine Man.” Inspiration comes at the oddest times, and from the oddest places. I have a lot of fun with these exercises (and all writing exercises, really) because of their “no pressure” nature, and in the end I usually turn out something that is not only fun to create but isn’t hard on the eyes, either. If only the stuff I work on seriously was this easy, I may not be so stressed out all the time.



The Long Finger

It all begins the day I lose my finger.

I don't have that many memories about the accident, to be honest. I can remember the drive to work that leads up to it, the unscheduled stop at a fast-food place for a breakfast sandwich and the stop light I got stuck sitting at. I was in the lead, with several cars behind me. I can also remember a glimpse out of the corner of my eye at a box truck with Erotic Party Services painted in soft pastels on it gliding down the steep downtown hill towards the same light, from my left. I can remember pulling out into the intersection when the light turned green, but that's where it becomes fuzzy, as if someone is standing above it all with a bright halogen lamp, erasing details in a blinding white glare.

My memories return a few days later. My mother is there, dark bluish bags under her eyes, half-asleep in one of those uncomfortable hospital chairs that keep your back ramrod-straight. I immediately wish I am still asleep, because my roommate is cursing loudly and uncontrollably from behind the curtain that separates us. Later on my mother will tell me that the poor girl was in a crash not unlike mine, only involving a motorcycle and a Beetle (the new kind, not vintage) full of drunk college students, and she has some kind of neurological damage that causes her to drop the f-bomb loudly without realizing she's doing so.

I expect the worst, but most of the damage consists of scrapes along my face and torso. My car is gone. I'd just finished paying it off a few months prior and was so happy to have the title in my mini safe. Now, it is worthless.

It takes a few hours for me to realize there is something wrong. Nobody has pointed it out to me, not my mother, not the nurse who's checked my vitals several times. My doctor, I am sure, would have told me by now but he or she has not been in to see me just yet. Phantom sensations can cloud your perception, I am told, and this is why it has gone unnoticed by me for so long.

I am missing the pinky on my right hand. It is completely gone, sheared off where it meets the hand. Almost as if it never existed. I turn my hand over and over, examining from multiple angles, hoping I'm wrong, but knowing I'm not. The bandaging is wrapped tightly, and I can tell there is nothing there, despite feeling like there is.

I look at my mother, slightly irritated.

She sighs and looks away. She is afraid and unsure what to say to me.


* * *



My options are limited, and time narrows it down more. My doctor, a young eastern European woman with a faint accent and a neatly-upswept bun, tells me that I can live without a finger, wear a prosthesis or attempt a transplant. If I choose the latter, she tells me, I need to do so quickly. There is a viable finger available, but it needs to be transplanted now.

I am the impatient type. I am also the don't-second-guess-yourself type. I go with the transplant.


* * *




It is a success. I now have a new finger. It is slightly thinner than the others, and just a smidge longer. It is obviously a woman's finger. I wonder if they cross genders for limb and digit transplants. Looking at my own tiny girlish hands, I wonder what it would be like to have a thick, hairy pinkie sticking out at the end of my hand.

The days go by and I get to use the digit more and more. I am told not to strain it, or lift heavy objects. Just exercise it a bit, the doctor tells me. Her name is Doctor Elishka. I think she may be Russian. That could also be her first name. I'm not sure, and I never ask.

After a few weeks, everything besides my finger is healed completely. My face is unmarred, and the various cuts and scrapes on my body have faded. All that is left now is to learn to use my new digit. I call it my “long finger.”

This long finger is not so easily integrated with the rest of my hand. I find it difficult to control, stubborn, unwilling to move at my command. It is frustrating, because I've been under the impression that once it heals it will move as fluidly as the rest of my body, almost without notice.

This is not so.

I spend several hours a day grappling with my new finger, bending it to my will, forcing it to discontinue its habit of sticking out from my hand at an embarrassing angle. After a few days it seems sufficiently tamed, and I take it to the task of touching things and lifting small items. Everything seems to be working well enough.

A few weeks later, at breakfast, I idly scratch my eyelid with my long finger. It's not itchy, but I do it anyway. It's an old habit of mine, scratching my face gently while I'm daydreaming.

A few minutes later my eyelid begins to itch something fierce.

I wash my hands and try to stay away from the eyelid, but I end up rubbing until it's red and puffy. I spend the night trying to fall asleep only to be distracted by the soreness and persistent itching. By morning it has subsided enough to ignore for long stretches. I force myself not to touch it again.

The following day I am sitting idly at the kitchen table again. I have finished my morning tea and, on a whim, decide to test the strength of my new finger. This is the first time I will have picked up and held something with that finger alone.

I loop my new pinky through the handle of my light china teacup. It is a cheap imitation of a piece of formal tableware, and I am not too concerned about dropping it. It does not drop from my finger though, as my new digit is surprisingly strong. It is just like any other finger, I suppose, only it once did not belong to me. I have difficulties wrapping my head around this concept.

I watch in silence as the first crack on the handle forms, and then another, followed by several more. In the span of a few moments it appears as if a thousand tiny rivers have suddenly formed on the china's surface before it all crumbles apart. The cup lands on the carpeted floor below, intact save for the handle that has disintegrated into nothing.

Later on that same day, after showering, I am leaning in close to the mirror over the bathroom sink. I am scouring my face for blemishes and checking on my eyelid. All redness and swelling is gone from my eye, and it doesn't seem like I have anything on my face. As I wipe the steam that continues to form from the mirror's glass, I notice something odd. I pause, my hand still on the mirror.

Cracks. Tiny cracks. Radiating from the right side of my hand.

I pull away as the mirror spiderwebs into dozens of growing fractures, and I am halfway out of the room when the first glass piece falls from the mount on the wall. I run into the garage for a cardboard box, and as I put the pieces in and sweep up what is left with a hand broom I begin to wonder.

Call me superstitious, call me foolish and irrational, but now I feel I need to check.

I look all over my house and belongings to see if anything else is amiss. What else has this finger touched recently?

Several keys on the right hand side of my laptop keyboard are visibly warped.

The right-hand side of my car's steering wheel cover, the one with the flower petals embroidered on it, is unraveling and shredding in several small places.

The very end of my toothbrush appears to be melting, as is the very end of my hairbrush.

It seems to be too much to be coincidence, but too little to be panic-worthy. I begin a small series of tests to confirm the impossible. I run my hand over several things, waiting to see what happens.

I grab a coffee cup and, once again, it falls apart. I move on to flatware, and several pieces lose their luster and appear as if being held under a flame as I run my long finger over them.

I rest my hand on the front door and a small, barely noticeable scorch mark appears. It could almost be mistaken for a natural darkness in the wood if viewed by someone else.

I go out on the porch and run one final test. A few years before I quit smoking, I made several ashtrays in a pottery workshop I attended once a week. I still have one, and it sits outside atop my patio table. It is grey and black and has a flat, glossy surface. It is the largest ashtray I made in the class.

I extend my long finger and draw two perpendicular lines across the ashtray. For a moment, there is nothing, and then it shivers, extending tiny cracks along my imaginary lines, finally falling apart into four dusty pieces.

I go in the house and wrap my hand in a thick bandage. I am shaking, nervous, excited. Mostly I am afraid, afraid of where this finger may have come from and what I will find when I ask. I am also afraid Doctor Elishka will refuse to tell me anything, or that I will have to have the finger removed. Not being able to touch something without damaging it is frightening. It makes me feel isolated. I am now worried about my ability to return to work or live a normal life. Many things flash through my mind, few of them positive.

I sit at my kitchen table, my phone in my awkward left hand, and dial the hospital.

Monday, March 2, 2009

It's Been a While

In all honesty, writing took a backseat to the rest of my life for a while. It was a combination of outside events and internal turbulence that did it, I think.

On the outside, reading for pleasure has given way to film watching. 2008 was the Year of the Fifty Book Challenge, and I ended the year with sixty-one new reads. This year I’m challenging myself to see more than one hundred films, on DVD specifically, and I’m up to twenty-four so far. I’ll finish the twenty-fifth today or tomorrow. I’ve been breaking my movies down to forty-minute chunks to watch while I’m running on the elliptical every day.

I should be writing every day for hours at a time, seeing how I lost my job two weeks ago. Six years at Waste Management and I’m lost in a “restructuring.” For some people this could have been a catastrophic loss, but I’ve hated the job since day one and have been dragging my ass ever since. Finally I have a reason to leave this county and head south to Pittsburgh, where I spend most of my weekend time. Good riddance to a horrible, unhealthy and incompatible job and environment.

One of the things I’ve been doing lately is reading long articles about David Foster Wallace, both in The New Yorker and Rolling Stone. Here is someone who accomplished things I only dream of doing, and it wasn’t good enough for him. He suffered from the same self-doubt and work-related criticism that I do and he had a brain full of knowledge on subjects I’m barely even aware exist. If he couldn’t make it, what kind of person am I to even dream of doing so? He studied at Amherst and Harvard, while I drank my way out of a state college and spent my twenties working nights on a landfill. If he had such difficulty and misery, what makes me think I can do any better, or even come close?

On the other hand, there are people like Stephenie Meyer whose work flies off the shelves and into the hands of children and adults at a rate so quickly you’d swear there were deals made with Satan going on. If a woman who never read a vampire book or watched a vampire movie can write a bestselling vampire series then there’s still a chance for me, right? Despite reading the first three books and being shocked at how emotionally and socially stunted the main characters are, I have to admit they are popular. But is popular even what I want?

I think, right now, all I want to do is be read. And in order to do that, I have to go beyond the rough draft and into a place where I am very, very uncomfortable. I’m going to have to revise and continue working, though I have no idea what I should be doing. Proofreading is no problem, but adding and subtracting entire chapters and characters is something so alien and painful to imagine to me that I put it off as long as I can, much like I did exercise when I was depressed. I don’t think I need to explain what that ended up doing to me.

I’m not even sure what the meaning of this passage is. I suppose in part I want to let anyone who reads this blog know that I’m still alive, but at the same time I want to go deeper into explaining myself and my motivations for things. I want other people to know just how much I doubt myself every day, and I want to find out if other people do the same. When I pick up most books I see the finished product for what it is, a book, and as I flip through it I never stop to wonder how much work the author put into it or how many revisions it went through. I suppose I only ever think of someone suffering self-doubt and hatred of their own material when that writer is me. And I can barely even refer to myself as a writer at this stage, seeing as I’ve only ever produced a few short stories and novel rough drafts.

Monday, January 19, 2009

Episode Two of The Universe of Tristan Johnson!

The voice actress who read my story was really good, I think, especially for an nonpaying gig. I was pleasantly surprised by it.

Here’s the episode, including the Q&A interview following the story:

http://www.tristanpej.com/?p=96

I think I sound nervous and rather, um, manly, but Eric has been arguing with me for the last half hour and claims that I do not sound at all like I have a penis.

Wednesday, January 14, 2009

"Hello" Appearing on The Universe of Tristan Johnson!

My short story “Hello” will be appearing in audio format on an upcoming episode of the brand new podcast The Universe of Tristan Johnson.

Tristan Johnson is a fellow novice writer who has participated in NaNo with me both of the years I’ve been involved and is also a Youtube vlogger and Blogspotter as well. His website for the show is The Universe of Tristan Johnson and he is, according to comments he’s made to me, always looking for new material. Anyone interested in politics, religion, current events or fiction writing should do themselves a favor and check him out.

We still need to meet up on Skype to do the post-reading interview section (I’m not reading my own story as he’s found real female voice talent to do that for him. Good choice.) and then hopefully the new episode will be up within the next couple of weeks.

I’ve never recorded an interview or had my work published as an “audio story” before, so needless to say I am quite excited.

Tuesday, December 30, 2008

The Usual Difficulties

A new project, a new set of problems, it seems.

While Eric is reading my (very) rough draft, I’ve been mulling over a new long-fiction concept. At first I was supposed to be writing a winter-themed short story for a friend’s upcoming podcast, but once I realized that this was something much too long for an audio format I resigned myself to having come up with yet another novel idea.

I’m still not all that great with novels.

While some people can apparently come up with a legion of characters, a main plot and a half dozen subplots with ease, I struggle to keep one story line coherent. I’m always afraid that I’m going to end up sounding ridiculous or implausible with my plots and dialogue. I’m beginning to come to the point where I don’t care about the end result and plow forward with a feverish determination, but I still have enough self-doubt that it’s holding me back.

I want to get started on this immediately. One of my biggest fears is the loss of interest in a project, and time and time again I’ve been on fire for an idea only to stop caring after a few short weeks. Now I immediately begin to panic when I don’t set upon a project at the first thought of it, worried that I’ll somehow lose the passion somewhere along the way. I’m fairly certain this line of thinking was responsible for my eighteen-day draft of Teahouse, especially the last two days of it. All I could do was type, screaming silently in my head, “Get it out! Finish it! Don’t stop until you see The End!” I was so worried that I’d quit caring, even that close to the end, that I had to push the story out despite the fact that I could have spent a bit more time working on the details.

Thanks to my “motivation issues,” I now have two hundred pages of plot with no trace of subplot, character details or emotion. Nice.

Here I am now, with another semi-formed story, feeling the urge to push my way through this yet terrified of screwing it up or leaving it half-finished. I suppose I could go back to something I really have left sitting unfinished, but all I can think about right now is this story.

On a related note, Eric is reading my draft of Teahouse now. I told him, jokingly, that he should change his away message to “Reading my girlfriend’s first novel. Don’t bother me.” I didn’t think he’d actually do it, but he did. Something that small and insignificant made me feel giddy.

Here’s hoping the book stands up to some criticism. I’m very nervous waiting for his reaction to it.

Friday, December 19, 2008

Rejection Done Right

Nothing hurts the ego more than being blown off or insulted, and a lot of writers are comprised of more sensitive stuff than others, so sending work out into the great wide world can be potentially painful for some. I know, I’ve been there. As a very young writer, in my late teens and early twenties, I found it very difficult to separate my professional self from my private self and see literary rejection for what it really is, someone letting you know that your work isn’t a good fit for their publication or just any of their upcoming issues.

Sometimes it really stung.

Getting back into the swing of things, I’ve noticed that rejection doesn’t faze me much, if at all, this time around. I’ve received a number of them in the last two years, from one-line “no thank you” type replies to well thought out critiques.

Don’t get me wrong, a “yes” regardless of how it’s phrased will always be more preferable than a polite “no,” but rejection is a part of the life and will never go away. Better to get used to it than it wear you down, no?

That said, I’ve received several decent rejection slips recently. It’s always a disappointment to find out you don’t fit in, but they were written well enough that I’d like to share them here.

The Abacot Journal recently responded to a submission of my short story, Cryptic Coloration.


Dear Jessica,
 
Thank you for your submission to The Abacot Journal’s fifth issue. While I loved the uplifting and unexpected ending to your story, unfortunately, it was not chosen from the wide range of fabulous stories we received. Good luck in your writing, have a wonderful new year, and please consider submitting to us again. 



Alexandra J. Ash

Editor, The Abacot Journal





The Harrow, a publication I’ve been featured in before, weighed in on my submission of My Neighbor’s Apartment not only with a gentle “no” but also some words of both critique and encouragement.


Dear Jessica,

Thanks for submitting 'My Neighbor's Apartment' to The Harrow. We're going
to pass.

While it's a well-written piece, and provides ample atmosphere, I
ultimately found that this is all the story does.

While it's certainly a point of interest that the protagonist's neighbor
has a vacant apartment beside their apartment, the mystery of such a thing
is not quite enough to engage the reader. There needs to be some sort of
conflict - internal or external - that is provided to draw the protagonist
to the place on the basis of her own decisions. The curiosity of our
narrator simply isn't enough... but perhaps there is a strong reason why
she is so curious. (And if that curiosity is born out of a rather banal
existence of reading spam email - the dullness of the character's
predicament needs to be highlighted strongly in the piece - a violent or
otherwise awful death as a result of her investigations, for example,
displaying that both fates are equally dreadful.)

Regardless, I think if you can provide such a thing here, the rest of the
story may write itself, and the piece will be stronger for it, overall.

Do try us again.



Regards,
Michael R. Colangelo


I now have quite a bit to think over. Accusing me of only providing atmosphere isn’t anything new – I do it to myself all the time. In fact, this is one of my major weaknesses. I’d rather focus on character, setting and atmosphere instead of plot, and that provides for a very lopsided story. Apparently only Murakami Haruki has license to get away with those kinds of shenanigans.

One of the things I enjoy most with rejections are the encouragements for resubmission. Not only are they show at least some interest in you as a writer but they are also proving to the more sensitive types that “No, you don’t really suck as a human being. Your story just didn’t work, and it’s not universal, it’s just this one time. Keep showing us your stuff.” It’s hard to convince either yourself or other writers this very important fact. Usually it has to come from the publisher.

Unfortunately, I won’t be having any time left over to rewrite My Neighbor’s Apartment for quite some time. I’m still trying to proof
In the Teahouse before Christmas so I can have a copy of the rough draft printed at Staples for Eric. I had a few run off (at twenty bucks apiece!) to pass around for reading/editing purposes but it appears my initial proofing glossed over several glaring mistakes.

After that, I agreed to write a winter-themed short story for a friend’s upcoming podcast. So far the plan includes him reading the story and then the two of us recording some kind of dialogue discussing the piece and writing in general. I’m excited but the business of the season has prevented me from my usual brainstorming sessions. I’ve only got bits and pieces of ideas so far. And two very large holidays are looming in the horizon.

Busy, busy.